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Results 31 - 45 of 79 for "glyph F"

Key:  JB 13 Actual Location:  Unknown Collection:  Former private collection of Jules Berman. Registration:  cat. 13 Provenance:  Unknown Measurements:  22.9 cm. Chronology:  Xoo 600 - 800 AD   Click to view Chronology Reference:  Jules Berman Collection of Mexican Pre-Columbian Art, 1973, fig. 13; Sotheby's auction catalog of June 2, 1999, page 68, fig. 132. Comments:  The figure is wearing a Cocijo mask. Glyphs:  Glyph C in the headdress and the glyph for corn field as pectoral.

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Key:  MNA 6-248 Actual Location:  National Anthropology Museum, Mexico City, Mexico. Registration:  6-248 Provenance:  Coyotepec, Oaxaca. Measurements:  29 cm. Color:  Grey clay with traces of red pigment in the headdress. Chronology:  Pitao 350 - 500 AD   Click to view Chronology Reference:  Caso and Bernal 1952: 246, fig. 393. Comments:  Caso and Bernal classify this vessel under category "God 5 Turquoise". It features a bird's mask, corresponding to glyph X. Glyphs:  The pectoral is the glyph for corn and is hanging upside down. Compare with MFR 1773.

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Key:  MNA 6-322 Actual Location:  National Anthropology Museum, Mexico City, Mexico. Collection:  Fernando Sologuren #400 Registration:  6-322 /6-3267 Provenance:  Las Monjas, Oaxaca. Measurements:  38 cm. Color:  Grey clay Chronology:  Peche 500 - 600 AD   Click to view Chronology Reference:  Caso and Bernal 1952: 138, 140, 142, fig. 239. Glyphs:  Glyph C in the headdress, flanked by a glyph for corn. The glyph for alligator's eye decorating the pectoral. Two hairpin glyphs are on the cape.

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Key:  MAEF 1 Actual Location:  Anthropology and Ethnography Museum of Florence, Italy. Provenance:  Unknown Measurements:  aprox. 36 cm. Color:  Beige clay Chronology:  Peche 500 - 600 AD   Click to view Chronology Comments:  A large portion of its headdress is missing. Glyphs:  Epsilon glyph hanging from an ear with a bar numeral in the middle. A glyph C in the headdress and the glyph for corn field in the pectoral.

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Key:  MNA 6-6443 Actual Location:  National Anthropology Museum, Mexico City, Mexico (exhibited). Registration:  6-6443 Provenance:  Tomb 103, no. 33, Monte Albán, Oaxaca. Measurements:  35 x 24 cm. Color:  Dark grey clay totally painted with red pigment, except for the conical hat whic Chronology:  MA IIIB (Caso and Bernal 1952: 252); Peche 500 - 600 AD   Click to view Chronology Reference:  Caso 1938: 72 & 74, fig. 91; Caso & Bernal 1952: 119-120, figs. 185-186; Romero 1958: 220, plate XLVI; Gendrop 1970: 139, fig. 160; Carmona 1995: 165, fig. 4. Comments:  This piece was excavated by Caso in their sixth field season (1937) and was found at a few centimeters from the South wall of the tomb. There were three other effigy vessels in the chamber and two burials (see pieces MNA t/103 1 and 3). Caso and Bernal (1952: 119) use this piece as an archetype of the effigy vessels known as "companions" (accompanying pieces). Glyphs:  Pectoral (glyph for corn field) decorated with glyphs for corn grain.

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Key:  UPM 29.41.707 Actual Location:  University of Pennsylvania Museum, Philadelphia, United States. Registration:  29.41.707 Provenance:  District of Etla, Oaxaca. Chronology:  Peche 500 - 600 AD   Click to view Chronology Comments:  Compare with ROM 1936, MFR s/n 6, SMI 115002, MCO 0679 and KERR 6460. Glyphs:  A glyph C in the headdress. The throne is decorated with the glyph for corn grain.

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Key:  MNA 6-6063 Actual Location:  National Anthropology Museum, Mexico City, Mexico. Collection:  6-6063 / 10-387812 Provenance:  Antechamber of tomb 124, Monte Albán, Oaxaca. Measurements:  67 cm. Color:  Pectoral, eyes and round marks of side phalanges with the same green? color. Chronology:  Xoo 600 - 800 AD   Click to view Chronology Reference:  Caso and Bernal 1952: 270, fig. 420 Comments:  Caso and Bernal say about this piece: "We have some urns of this type from period IIIB. Probably the already said piece from the offering at the entrance of tomb 124...as, unfortunately, tomb 124 was plundered and the figure appeared on its own, in spite of the fact that it was found in an exploration, we are not sure that it was made during the period IIIB" (1952: 271). The helmet worn by this human figure seems to have the shape of an opossum, inside of which there is a well-shaped face. Glyphs:  The glyph for corn field in the pectoral.

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Key:  MCO 10-361255 Actual Location:  Museum of Cultures of Oaxaca, City of Oaxaca, Mexico (exhibited). Registration:  INAH 10-361255 Provenance:  Tomb 14, Monte Albán (Winter et al. 1991). Measurements:  15 x 13 cm. Color:  Light grey clay with traces of red pigment. Chronology:  Transition (Winter, 1994: 62); Tani 200 - 350 AD   Click to view Chronology Reference:  Treasures of the Regional Museum of Oaxaca, 1994: 62, plate 17. Glyphs:  Glyph for corn field in the headdress.

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Key:  MCO 10-140700 Actual Location:  Museum of Cultures of Oaxaca, City of Oaxaca, Mexico (exhibited). Registration:  INAH 10-140700 Provenance:  Courtyard of tomb 103, Monte Albán, Oaxaca. Measurements:  27 cm. Color:  Grey clay Chronology:  Peche 500 - 600 AD   Click to view Chronology Reference:  Caso and Bernal 1952: 22, fig. 13. Comments:  Caso and Bernal excavated five of these boxes during the Sixth period (1937). The boxes were found in a row, in the courtyard of tomb 103. Caso and Bernal thought that there were lids for these boxes, but there is no evidence. One is exhibited at the Museum of Cultures of Oaxaca and the other seems to be part of the Rufino Tamayo Collection, although there is no explanation of why a piece from an excavation ended up in private hands. The boxes were broken, although the piece at the Rufino Tamayo Museum has been restored. Glyphs:  The glyph for corn field decorates the four sides of the box.

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Key:  CB 8 Actual Location:  Bustamante Vasconcelos Foundation, Oaxaca City, Oaxaca, Mexico. Collection:  Mr. Manuel J. Bustamante Vasconcelos Provenance:  Unknown Measurements:  26 x 27 cm. Chronology:  Peche 500 - 600 AD   Click to view Chronology Comments:  Compare with MNA 6-636 and MFR 3745. The missing part could have been either a Cocijo face or the glyph for corn.

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Key:  AEG 2.56 Actual Location:  Unknown Collection:  Andre Emmerich Gallery, New York Provenance:  Unknown Measurements:  21.5 cm. Color:  Grey; traces of green and burnished Chronology:  Pe 300 - 100 BC.   Click to view Chronology Reference:  Boos 1966: 136, fig. 123 Comments:  According to Boos this piece represents a goddess, but he provides no arguments for this assertion. Glyphs:  The glyph for blood as earrings.

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Key:  MNA 6-6052 Actual Location:  National Anthropology Museum, Mexico City, Mexico (exhibited). Registration:  6-52 Provenance:  Offering of Temple 7 "deer", Monte Albán. Measurements:  74 x 74 cm. Chronology:  MA II (Caso and Bernal, 1952: 202); Tani 200 - 350 AD (Urcid 2001: 133)   Click to view Chronology Reference:  Caso and Bernal 1952: 204, figs. 340, a & b; Urcid 2001: 133-147, figs. 4.34, 4.36, 4.37. Comments:  According to Javier Urcid (2001: 137), this brazier with a U-glyph face is the tri-dimensional representation of a yearly date (13U) but it is also used as the calendar name of a governing human figure. The headdress worn by the human figure represents a sash that was tied to governors. This same sash, seen sideways, is used in Zapotec writing to designate the bearer of the year. This brazier was found with a smaller effigy that clearly belongs to the transition period; that is why we were able to suggest an alternative date to the one given by Caso and Bernal. See MNA 7 deer. Glyphs:  Two bars and three numerals in the headdress. Glyph U mask (13U).

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Key:  MFR 12641 Actual Location:  Frissell Museum, Mitla, Mexico. Registration:  MFR 12641 / INAH 3317 Provenance:  Tlacochahuaya, Oaxaca. Measurements:  74 x 42 cm. Color:  Grey clay Chronology:  Peche 500 - 600 AD   Click to view Chronology Comments:  This figure's right hand is stretched out, palm up, which most probably means that it was holding a bag of incense in the left hand, as this is typical in this type of posture. In the center of the headdress, a large jaguar head. Glyphs:  In the piece's pedestal, the glyph for corn field, framed by the glyph for hill. Dating:  F6

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Key:  SLAM 1167:1983 Actual Location:  Saint Louis Art Museum, Saint Louis, Missouri, United States. Collection:  Valetta Malinowska; Morton D. May Registration:  1167:1983 / former loan number 1968.451 Provenance:  Unknown Measurements:  43.2 cm. Chronology:  Peche 500 - 600 AD   Click to view Chronology Reference:  Drawing based on a photo from Shaplin. Comments:  Pectoral missing. Glyphs:  Glyph F in the center of the headdress (broken). This glyph is flanked by two glyphs U and, behind these, two glyphs X on both sides of the face. Dating:  Shaplin and Zimmerman, 1978, TL no. 25 (330 rads - authentic).

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Key:  MNA 6-630 Actual Location:  National Anthropology Museum, Mexico City, Mexico (exhibited). Collection:  Fernando Sologuren Registration:  6-630 Provenance:  Zimatlán, Oaxaca. Measurements:  38 cm. Color:  Dark grey. Chronology:  Peche 500 - 600 AD   Click to view Chronology Reference:  Phto by Schlattman, circa 1901; Caso & Bernal 1952: 18, fig. 3; Marcus 1983: 147, fig. 5.12. Comments:  A Cocijo sitting on a throne decorated with the glyph for corn. The pedestal's design of this piece seems to represent a jet of water. Glyphs:  Glyph C in the headdress flanked by two glyphs for corn. The glyph for corn field in the pectoral.

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